I’ve known Evan for years, and I’ve asked him to read almost everything I’ve ever written so that I could get his feedback. Recently, a friend of mine, Evan Littman, launched his script consulting service called GetMade. I’ve always been skeptical of script consultants on the whole. These are people who can help you get your script to the next level. Script consultants are usually people who work in the film and television industry, who you pay for notes and feedback. It says a lot about the ambitions and goals Blackmagic has in making it open. ![]() That it starts with EditReady isn't a surprise (EditReady is often fast to enable new features and formats), but it is enjoyable that it's a tool that directly competes with a Resolve dailies workflow. Thus, within a few short months of release, we are already seeing support from other vendors begin to roll out for Blackmagic Raw. However, from the time of its release, ProRes Raw has been closed (you can only open it in Final Cut Pro X), while Blackmagic Raw had an open SDK. In 2018, both Apple (with ProRes Raw) and Blackmagic (with Blackmagic Raw) released "edit friendly" raw codecs designed to make life easier through post while offering the benefits of raw. With a great set of tools for making multiple versions, renaming, reframing, and retiming, EditReady has gained ground in post for its combination of power within a simple interface.ĮditReady is now the first outside vendor on the street to support Blackmagic Raw, which is big news. While you can use other applications for transcoding, EditReady is designed specifically from the ground up for making life as easy as possible when you're bringing footage from set and into post. EditReady, if you don't already know, is the fastest transcode application on the street.
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